Technically, the works presented are constructed using stoneware clay, incorporating both altered wheel thrown forms and/or slab constructed forms. The majority of the works are fired in wood burning kilns for 24-72 hours. The surfaces, colors and marks on these forms are the results of flames striking the pieces, natural ash deposits melting on the surfaces, or from stacking or placing pieces on top of each other or next to each other in the kiln.

The works presented have evolved from a series called “Dwelling”, which take reference from non-pedigreed ancient architecture, namely that of Native American Anasazi, Japanese Haniwa, Mayan and Incan.

The beauty and strength of the exterior arch form is juxtapositioned to the mystery and intrigue of the protected quiet interior space. This contrast is a metaphor expressing the same sense of inward need for “dwelling” we all have within us.